“You mean she was killing herself?” he asked. “I want you to be something more to me than that, sir,” she said. “I want to feel that I’m an Allway, fighting for the things we’ve always had at heart. I’ll try and be worthy of the name.”!

“And you will come and stay with me,” persisted the little Frenchman, “when this affair is finished”—he made an impatient gesture with his hands. “My wife takes much interest. She will be delighted.” There he should have stopped. It would have been a good note on which to finish. But it seemed there was another point he wished to make. Even to the sinner Calvary calls. To Judas—even to him the gates of the life-giving Garden of Gethsemane had not been closed. “With his thirty pieces of silver he could have stolen away. In some distant crowded city of the Roman Empire have lived unknown, forgotten. Life still had its pleasures, its rewards. To him also had been given the choice. The thirty pieces of silver that had meant so much to him! He flings them at the feet of his tempters. They would not take them back. He rushes out and hangs himself. Shame and death. With his own hands he will build his own cross, none to help him. He, too—even Judas, climbs his Calvary. Enters into the fellowship of those who through all ages have trod its stony pathway.”

“Protection?” he flashed out scornfully. “Yes, I’ve heard of that. I’ve listened, as a boy, while the old men told of it to one another, in thin, piping voices, round the fireside; how the labourers were flung eight-and-sixpence a week to die on, and the men starved in the towns; while the farmers kept their hunters, and got drunk each night on fine old crusted port. Do you know what their toast was in the big hotels on market day, with the windows open to the street: ‘To a long war and a bloody one.’ It would be their toast to-morrow, if they had their way. Does he think I am going to be a party to the putting of the people’s neck again under their pitiless yoke?” “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” “Tell me,” he said, “did you see your mother before she died. Did she speak to you?”